"Once the realization is accepted that even between the closest human beings infinite distances continue to exist, then a wonderful living side by side can grow up, if they succeed in loving the distance between them that makes it possible for each to see the other whole against the sky" -- Rainer Maria Rilke
Boyfriend and I have a pretty groovy thing going. But there are a few items that we have not yet resolved. For example, there is the dog person/cat person thing. The early bird/night owl thing. Is a Brita water filter necessary or is tap water safe and appropriate to consume? Is it ever really acceptable to drink blended scotch? Are life threatening activities like jumping out of airplanes or racing motorcycles the sorts of fun a person might want to seek out and expend lots of time and money on? And how much mental real estate should the Grateful Dead occupy?
I will leave it to you, gentle reader, to decide where I fall on these important life questions, with one exception. I earned major brownie points this weekend when I accompanied Boyfriend, his brother, and brother's girlfriend to a Dark Star Orchestra concert, of all things. Dark Star's tagline is "Recreating the Grateful Dead Experience," and to the untrained ear (mine) they do that quite well. Actually to the HIGHLY trained ear they also do it well, apparently, because I was in the company of six highly trained ears, and was treated to a lot of education about both bands (the Dead and Dark Star Orchestra), all the songs that were played, as well as a lot of songs that weren't played, plus of course the songs we listened to on the hour drive to and from the concert. And Boyfriend announced after one song that with his eyes closed he couldn't tell one from the other.
I like the Grateful Dead just fine. I own Workingman's Dead and American Beauty and depending on how big my suitcase were one or both albums would make it to the proverbial desert island with me. I'm even amenable to the idea of expanding my personal library to include an album or two more. And last night, listening to the (I am assured) near replica of a live Dead show, specifically the March 14, 1982 show they played at UC Davis, I appreciated the density and complexity of their sound, the lilting guitar over the loping bass sounds, tunes that were familiar but forgotten. I particularly liked the fact that they have two drummers -- that makes the percussive sound wonderfully interesting. There was a fantastic double drum solo that was really compelling, although it was very long and devolved at the end into some kind of experimental feedback thing that was not so interesting to me. I had a lot of fun, and although I dozed a bit during the first set, that was entirely due to my body's exhaustion after an 18 mile walk. I was wide awake during the second set, and if my legs hadn't been aching I would have been dancing.
But I don't understand the whole culture that surrounds the Dead, that makes it possible for so many people to talk for so long about which songs they stopped playing in 1977 and where the band was the last time they played song X and who was in the band at that time. There's just some part of me that loses interest -- I can't help it. I mean, today I know a lot more about the Grateful Dead than I did yesterday, and I suppose I'm glad to know it. It makes the band and the music more interesting to me. And I already appreciated the music. But I don't have a burning curiosity to know more, or to hear more, or to listen to the same song as it was played in 1971 and then 1976 and then 1978 and then 1981 and then 1986 and then 1988 so I can hear the evolution of the sound. I mean, I can see how that kind of thing is interesting from a sort of musicology perspective but it's not something I would choose to invest a lot of time in knowing. Is it because the Dead are really so much better and musically interesting than other bands that this kind of fanatic devotion among fans has sprung up? Is it because the fan base is itself somehow different -- that the culture of the fans makes this kind of accumulation and swapping of an enormous music library, plus associated knowledge about the band and the songs, a second part of the fun? Or is this kind of study and accumulation of trivia about playlists something that is widespread, but that I just don't happen to know, say, the people who learn this kind of stuff about, say Britney Spears?
Deadheads are as mysterious as Trekkies to me. I enjoyed Star Trek from time to time as much as the next person, unless of course the next person was one of those people who didn't just watch it now and then but became fluent in Klingon and dressed up in funny suits and went to conventions. I went through a mild jam band phase when I was in high school and college -- a few Phish shows, a Dead show, the Jerry Garcia band, etc. So there was something familiar and poignant and nostalgic while I was people watching. But mostly I found myself thinking "These people look like unmade beds," and wondering why some folks would drive for hours and hours, years and years of their lives, in fact, to be able to dance and exchange knowing looks with a stranger in a plaid shirt when a few guitar chords signal the beginning of a particularly meaningful song.
Boyfriend does not look like an unmade bed, by the way. And he has a fantastic and diverse musical library - comparing musical libraries was how we got together, in fact. But we part ways on the depth of our interest here.